«The Best of Sherlock Holmes» is a collection of twenty of the very best tales from Sir Arthur Conan Doyle’s fifty-six short stories featuring the arch-sleuth. Basing his selection around the author’s own twelve personal favourites, David Stuart Davies has added a further eight sparkling stories to Conan Doyle’s ‘Baker Street Dozen’ creating a unique volume which distils the pure essence of the world’s most famous detective.Издание на английском языке.

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Interest in supernatural phenomena was high during Charles Dickens’ lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Саrol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

Tins collection brings together Jane Austen’s earliest experiments in the art of fiction and novels that she left incomplete at the time of her premature death in 1817. Her fragmentary juvenilia show Austen developing her own sense of narrative form whilst parodying popular kinds of fiction of her day. Lady Susan is a wickedly funny epistolary novel about a captivating but unscrupulous widow seeking to snare husbands for her daughter and herself. The Watsons explores themes of family relationships, the marriage market, and attitudes to rank, which became the hallmarks of her major novels. In Sanditon, Austen exercises fashionable seaside resort. These novels are here joined by shorter fictions that survive in Austen’s manuscripts, including critically acclaimed works like Catharine, Love and Freindship, and The History of England.

Издание на английском языке.Полный, неадаптированный текст произведения.Adultery is not a typical Jane Austen theme, but when it disturbs the relatively peaceful household ..»it Mansfield Park, it has quite unexpected results. The diffident and much put-upon heroine Fanny Price has to struggle to cope with the results. re-examining her own feelings while enduring the cheerful amorality, old-fashioned indifference and priggish disapproval of those around her.

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The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then tails on a hunchbacked housemaid, on Rachel’s cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself.The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.Издание полностью на английском языке.

With an Introduction and Notes by John M.L. Drew, University of Buckingham.Wilde’s only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in ‘art for art’s sake’, to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the ‘note of doom’ which runs like ‘a purple thread’ through its carefully crafted prose.

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With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex.Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with tales that vary in theme and tone, ranging from tragedy and satire to comedy and farce.In a lucidly direct style, he provides unflinching realism and sceptical irony. He depicts the deceptions, hypocrisies and vanities at different levels of society. Prostitution is frankly described, while the harshness of war is deftly exposed.His tales have been televised and have influenced films, operas and rock music. Unillusioned but humane, Maupassant remains our contemporary.

‘Surely no man would take up my profession if it were not that danger attracts him.’In The Casebook, you can read the final twelve stories that Sir Arthur Gonan Doyle wrote about his brilliant detective. They are perhaps the most unusual and the darkest that he penned. Treachery, mutilation and the terrible consequences of infidelity are just some of the themes explored in these stories, along with atmospheric touches of the gothic, involving a bloodsucking vampire, crypts at midnight and strange bones in a furnace.The collection His Last Bow features some of Sherlock Holmes’ most dramatic cases, including the vicious revenge intrigue connected with ‘The Red Circle’ and the insidious murders in ‘The Devil’s Foot’. The title story recounts how Sherlock Holmes is brought out of retirement to help the government foil a German plot on the eve of the First World War.These two fascinating sets of stories make a glorious farewell to the greatest detective of them all and his erstwhile companion, Dr Watson.

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Edited, Introduced and Annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.The Wordsworth Classics’ Shakespeare’s Series presents a newly-edited sequence of William Shakespeare’s works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man; and Viola’s brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia.Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities.

Far from fading with time, Kenneth Grahame’s classic tale of fantasy has attracted a growing audience in each generation. Rat, Mole, Badger and the preposterous Mr Toad (with his ‘Poop-poop-poop’ road-hogging new motor-car), have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall. Grahame’s book was later dramatised by A. A. Milne, and became a perennial Christmas favourite, as Toad of Toad Hall. It continues to enchant and, above all perhaps, inspire great affection.

Lawrence’s finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, crities could only see a sorry tale of sexual depravity and philosophical obscurity.Women in Love is, however, a profound response to a whole cultural crisis. The ‘progress’ of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves ‘human’? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships — love, marriage, family, friendship — really worth? And how might they be otherwise?Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.

Gaskell’s last novel, widely considered her masterpiece, follows the fortunes of two families in nineteenth century rural England. At its core are family relationships — father, daughter and step-mother, father and sons, father and step-daughter — all tested and strained by the romantic entanglements that ensue.Despite its underlying seriousness, the prevailing tone is one of comedy. Gaskell vividly portrays the world of the late 1820s and the forces of change within it, and her vision is always humane and progressive.The story is full of acute observation and sympathetic character-study: the feudal squire clinging to old values, his naturalist son welcoming the new world of science, the local doctor and his scheming second wife, the two girls brought together by their parents’ marriage.

Introduction and Notes by Henry Claridge, Senior Lecturer, School of English, University of Kent at Canterbury.This is a troubling story of crime, sin, guilt, punishment and expiation, set in the rigid moral climate of 17th-century New England. The young mother of an illegitimate child confronts her Puritan judges.However, it is not so much her harsh sentence, but the cruelties of slowly exposed guilt as her lover is revealed, that hold the reader enthralled all the way to the book’s poignant climax.

At the end of the nineteenth century a stranger arrives in the Sussex countryside and mayhem ensues; in the sleepy county of Kent a miracle food brings biological chaos that engulfs and threatens the entire planet. 11. G. Wells’s fertile and mercurial imagination never brought us more bizarre and unsettling stories than those revealed in The Invisible Man 11897) and The Food of the Gods, and How It Came to Earth (1904). These are stories of extraordinary physi­cal transformations and are at once extremely funny and richly imaginative. At the same time. Wells poses some very probing questions about the ethical dimensions to science and the human capacity for both pity and cruelty. Brought together for the first time in this new Wordsworth edition. The Invisible Man and The Food of the Gods are two of Wells’s most entertaining and thought-provoking works.

In these ‘scientific romances’ H. G. Wells sees the present reflected in the future and the future in the present. His aim is to provoke rather than predict. The Sleeper falls into a trance, waking up two centuries later as the richest man in a world of new technologies, power-greedy leaders, sensual elites, and brutalised industrial slaves. Arriving in the year 802,701, the Time-Traveller finds that humanity has evolved into two drastically different species; going farther still, he witnesses the ultimate fate of the solar system. The Chronic Argonauts, the original version of The Time Machine, pits a scientist with daring views of time and space against superstitious villagers. In all three works Wells laces vivid adventure stories with the latest ideas in biology and physics.